Suiko sent the people to China who brought back the writing system Japan still uses. Koken/Shotoku (the same woman was empress twice so she had two names) encouraged the arts including printing. She imported woodblock printing from Korea so that she could make 1,000,000 copies of a Buddhist mantra. It was the first use of woodblock printing in Japan.
Between the two, printing and writing flourished and with that flourishment (?) came the need to bind the pages together. From that need came what is known as Japanese binding or watoji (和綴じ). Among the more popular watoji are the hemp leaf, the turtle shell, the noble, and the four-hole bindings. Here you can see the pictures that go with the tutorial. Or go down to Episode 133 and see them there, too. Fun, eh?
First, you’ll need some paper for
the pages. The size is your choice but it should be thin. Hemp leaf
binding ~ most Japanese bindings, in fact ~ favor thin pages and thin
covers. Craft paper makes for a good cover as it is thick enough to be a
cover yet thin enough to work properly. Then, get a scrap piece of
paper the same height as your cover. On this scrap piece of paper we are
going to mark the holes for stabbing.
There will be seven holes. There will be two rows: one row will have four holes labelled 1A ~ 4A.; The other row will have three holes with clever names like 1B, 2B, and 3B. The row with four holes should be about 10 mm (a bit less than half an inch) from the edge. The row with three holes should be about 5 mm (half the distance from the edge to the row with four holes) from the edge. The distance between the holes should be the same.
Let's start at the very beginning, which I'm told is a very nice place to start. The beginning is the hard part.
Here’s the short version:
Start at 2A. Wrap the thread around the edge at 2A
Go to 2B, wrap the thread around the edge (wrap)
Go back to 2A. From 2A front, go to 3A.
From the back of 3A, go to 2B.
From 2B go to 3A again and wrap the thread around the edge.
Go to 3B and wrap the thread.
Go to 3A. From the back, go to 4A.
From 4A go to 3B.
From the back of 3B go to 4A and wrap the thread around both edges.
Go to 3A. From the back of 3A, go to 2A.
From 2A go to 1B and wrap it.
Go to 2A. From 2A go to 1A and wrap it around the edge.
Go to 1B, then back to 1A, wrap it around the other edge. Go to 2A.
Tie it off at 2A.
Here’s the slightly more intimate version:
Go to 2B and wrap the thread around the edge, ending up at the back of 2B.
From the back of 2B, go to 2A. From the front of 2A, go to 3A. From the back of 3A, go to 2B.
From 2B, go to 3A and wrap the thread around the edge.
Go to 3B and wrap the thread around the edge.
Go to 3A and from the back of 3A, go to 4A.
From 4A go to 3B. From the back of 3B, go to 4A
At 4A, wrap the thread around both edges.
From the front of 4A go to 3A.
From the back of 3A go to 2A.
From the front of 2A go to 1B. Wrap the thread around the edge.
From the back of 1B go to 2A.
From the front of 2A go to 1A and wrap the thread around one edge.
Go to 1B. From the front of 1B, go to 1A and wrap the thread round the other edge.
From 1A, go to 2A. Somehow find the end of the thread that’s in the middle and tie it off.
This should end up looking something like this. Hopefully, you'll be able to follow my instructions. If not, well, tell me about it.
But most of all, enjoy trying your hand at this binding, if you don't already know it.
Thanks for dropping by.
My novels tend to be heavy on characterization and light on the plot although one novel (The Venetian Slime Woman) is plot heavy. Another one (Tristram's Printer) is plot light. Both, I believe, are character-driven. Yet a third (The Idiot Runs) has time travel - a character goes back in time. A fourth (Calvado) has time travel of another sort - the tale of the two main characters is told in jump-cut time-slipping fashion (We meet them, then we see them younger, later a bit older, then back in their lives).
The fifth novel (The Priests of Hiroshima) also has time travel. In fact, it has two stories: one in the present (kind of) and one in 1453 Mainz, Germany. It also has nothing to do with the priests who survived the atom destruction of Hiroshima (although one of the main characters is Japanese.).
Bookbinding is my other occupation. I write, edit, print, and bind my novels (and other topics, of course) thus improving my binding skills and having a solid soft- or hard-cover copy of my novel. A nice symbiosis. The problem is when I read the novel I find way too many mistakes which means I go back to the computer to fix (hopefully) most of them, reprint and then Yes! I have another book to bind. Currently I have about six novels waiting for my bookbinding persona to show up and work on them.
The cover is made up of a variety of leftover pieces that I wanted to use before buying more. Since the client gave me carte blanche I gave it a shot. As you can see on the front, there are two different colored book cloths plus a bit of color in themiddle. The bit of color is actually an endpaper. Obviously it isn't big enough to use as an endpaper, so I used it to cover the seam between book cloths. The back was also comprised of leftover bits. It might look like two pieces but it is actually three; two just happen to be small pieces of the same design.
Since the client wanted the book to open wide enough so they could use the entire page, I used coptic binding. This was good because Wednesday and Thursday are in the crease and are busy days. Lots of notes will be written in the margins of those two days. I also used multi-colored thread. The book is brown: the textblock, all the pieces on the cover. Even the endpaper I used on the front cover is brownish (with streaks of red and green). The colored thread gives it a little bit more personality.
The book itself has a yearly calendar for 2015 & 2016, a monthly calendar for April 2015 to March 2016 (the Japanese school year), and a weekly calendar. The monthly calendar is followed by the weekly calendar for that month. Just like the client designed it.
Next up? The 366-page schedule book.
Feb 18th, 2015 by tedorigawabookmakers
Regardless of my jealousy and frustration, I am making a book about soup. It is not merely a history of soup but includes characters such as Bishop Ussher, Hunt & Tony Sales (musical sons of Soupy), the last soups of famous people before they died (Julia Child had French onion), Duck Soup by the Marx Brothers, and soups in movies (Tom Jones comes to mind), and, of course, the Soup Nazi and his first appearance (Sleepless in Seattle.) It will be Japanese stab bound as is the red book in the photo at left.
The pages for the Soup book, titled: Soup: A Seasoned History, have been aged in tea & coffee and burnt around the edges. It is B6 in size and has 55 pages. Profusely illustrated, of course. I'm waiting to find a coffee bag to finish of the covers before I can sew it together. Maybe next year I can learn Japanese stab binding better at SFCB.
I sewed, glues, mulled, and put on those glue-on headbands much, much earlier last year and, when I saw the box the stollen came in I thought, wow, here's the cheap (i.e. free) book board I've been looking for. I spent a wonderful afternoon measuring, cutting, gluing, and finding endpapers.
The endpapers are also upcycled.... I really don't like that word. It sounds too cutesy. The endpapers are also made from recycled material. I believe they are from a wrapping that another purchase was wrapped up in.
As you can see, it has purple endpapers that are intended to match a pair of chairs that will be delivered at the end of January, another Saturnalia present arriving fashionably late.
It comes with a weekly calendar, a monthly calendar, and two yearly calendars. It also has lots of space for note-taking; for example, the weekly calendar is on the left side while the right side is blank. A request from the recipient.
This is the fourth book I've made so far this year and it's only the fifth of January. I will definitely not say I will be making a book-a-day for 2015 but I'm off to a good start. The other three books were kind of a fluky thing.
I had this badly printed novel on my desk for a while (like a year or more ~ the novel is Tristram's Printer). It was printed on only one side of the paper and I contemplated occasionally, what to do with it. One option, which came up frequently, was to trash it. Another was to Perfect bind it. The last option was to use a Japanese stab binding which is the one I went with. However, a 200 page novel is hard to stab. So I divided it up into five mini-novels which are pretty much divided along chapter lines. On the second day of the first month of the year, I stabbed section one.
This stabbing was followed on the third and fourth. When I finish all five sections I hope to make a small clamshell box for them and title it Tristram's Printer's Skeleton as the pages have been edited in red and black pen. Lots of corrections.
On the last two pictures you can see a monthly calendar followed by a weekly calendar. On the weekly calendar you can also see how much space is available for writing: the entire right-hand page. The previous planner had a weekly calendar on both pages but the recipient requested more writing acreage which I happily provided.
Speaking of casing in books, I believe I have about 14 uncased books lining my desk. Does that mean I will case in 14 books in the next two weeks? One can only hope. Especially considering that two of them were intended as year-end presents.