The Crapsey Quintain Poetry Coptic
Posted in Coptic Binding, ramblings on Jun 5th, 2009 No Comments »
I will be working on my Crapsey Quintain Coptic Book of poetry tonight as I have delayed working on it for quite some time, and don’t you just love the name?
Adelaide Crapsey created a type of poem she called the quintain - a 5-line poem of 22 syllables total. Eacy line should get progressively longer but that doesn’t always hold water, not even for Ms Adelaide. I don’t know why I got interested in her, her quintains, or her biography. Could it have been because of her surname? Am I that shallow?
Here’s an example of one of her quintains called Night Winds
Night Winds
The old
Old winds that blew
When Chaos was, what do
They tell the clattered trees that I
Should weep?
On a business note, I am planning to sell my books and will be setting up an online shop for a variety of finished books shortly. As an added bonus to early visitors, I will be throwing in - free - other stationery items such as pens, notebooks, simple notepads, and a 1959 250 GT Berlinetta Ferrari. Oh, wait. I made a mistake. Sorry, no notepads. Or the Ferrari, gosh darn it!
Not open yet, watch this space for future developments and the opening day.
_______________________
music from Sonnyboo.com and composed by Peter John Ross. Check out his movies! Especially Relationship Card - it’s hilarious.
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These are blank notebooks with coptic binding and about 100 pages each.
Here you can see the basic size of the Cereal Series Blank Notebook. It fits quite nicely into an overcoat pocket and opens out flat for full use of the entire page. (200 grams of this cereal will get you 50% of your daily requirements of seven essential vitamins, iron, and calcium, according to the front.)
Coptic binding with black waxed thread and white pages.
handy (pun alert!) size: fits well into a jacket pocket or the pocket on some briefcases. Also, in a purse, if you carry one.
I like the hand-written monthly calendar but I didn’t like the hand-written weekly calendar, so I xeroxed a page and used that. Not the best solution but workable. Overall, I’d say this rates 3.5 stars out of five.
Ought nine is just around the corner. (2009 for you youngsters under the age of about 90.) While I should have started my calendar making several months ago - and actually, I did start several months ago - last June as a matter of fact, but I didn’t finish the preliminaries.
This purple one is my favorite. It has 84 pages in three signatures (8, 8, 5), B6 size, purple waxed thread, and yellow end papers. It’s small enough on the outside but the calendar is big enough on the inside to be useful. The cover is Japanese washi so it it has a nice feel to it and fun to hold. The purple washi covers book board and I didn’t do such a good job of the corners but it is still … charming.
And the calendar itself is hand-drawn using a black calligraphy pen and eyeballing the size of the days and weeks. Not all days are the same size. In fact, Friday, Saturday and Sunday, being on the right page, are bigger than Monday through Thursday, being on the left page. This is for those of us who are busier on the weekends than the weekdays - or who at least have more to write down in our diaries from the weekends than the weekdays. All-in-all, not a bad night’s work (following several weeks of delay.)Thanks for reading and listening.
Tactile. Touchy-touchy. Very light.
And here you can see the stems and leaves stuck in the pages themselves. The phrase “stems and leaves” might remind some of our older readers of the sixties when the exact phrase was “stems and seeds” but the idea is similar.
Here is a closer look at how the pages are more torn than cut nicely. The look and feel of this book just screams out for someone to touch it.



